Godwin Pictures Blog

Tim's blog: Sex sells!

By Tim Glover Director, Godwin Pictures
What makes a film bad? Definitely a question you would hope is being asked when millions of dollars are about to be spent to make one!
We’ve all heard the statement ‘Sex Sells’ but my question is; is it the sex that sells, or does sex simply allow a bad undeveloped product to be sold?

Have you ever watched a film and thought ‘Yes, I’m seeing where it’s going, I’m following it but I’m just not going to invest the next hour of my life to be disappointed by where is takes me’? So you tune out, turn it off or walk out of the theater; or at least you wanted to. Well, some things in life are so simple they’re complicated, and story telling is definitely one of those things.

‘So I’ve got this script I want made, what am I gonna do to make it more interesting? How am I gonna make my idea stand out from the rest? …I know what will make it sell!’ You say.

I read a book recently that focussed my thinking in this area:
On Directing Film by David Mamet. He says it’s when the ‘…story stops being interesting the bad author has to take up the slack making each subsequent event more diverting than the last; to trick the audience into paying attention.And what will keep your interest in something more than sex, violence and obscenity right?

Well, what’s the harm in it? You say. It’s just a little entertainment..

I put it to you that these cheap thrills come with a huge cost - more than the majority actually realise.

David goes on
‘…Over the course of a movie, it forces the filmmaker to get more and more bizarre. Over the course of a career, it forces a filmmaker to get more and more outré; over the course of a culture, it forces the culture to degenerate into depravity, which is what we have now.’

Does this mean that the quality of our storytelling, or lack there of, is actually having a devastating effect on our culture? I believe it is.

So does sex sell? Yes unfortunately it does. I’m not making a point about love or about intimacy; these are important dramatic factors in any story telling. I’m talking about the explicit use of sex, violence and obscenity in dialogue and action. My point is that these devices are used to sell undeveloped, unworthy screenplays that attempt to use shock tactics to hold the attention of an audience who would otherwise have tuned out. In doing so it pulls down values and erodes culture into ‘depravity’, which comes at a great cost to us all.

What do you think?



Tim's film review - Black Swan

By Tim Glover Director, Godwin Pictures

Darren Aronofsky’s latest thriller Black Swan, is a film that plays with your sense of reality. Starring Natalie Portman as ballerina Nina, the film depicts what happens when someone is forced to compromise values. Nina walks close to the fine line that lies between reaching her fullest potential and nose-diving into a very dark and debilitating reality.


For me, this film really encapsulates the struggle an artist must face in order to be the best they can be - on the one hand maintaining artistic discipline and integrity that promotes perfection and longevity - whilst on the other hand allowing yourself to go to a place that fully embodies and expresses the true depth of the character or story being told. This battle, I believe, must be won for the full story to be portrayed, but in this instance, for Nina, it comes at a horrible cost to her mental health.


What I liked most about this film is the exceptional performances and originality of the screenplay that propel you into the world of a New York Ballet company. Like Aronofsky's
The Wrestler, Black Swan depicts a character undergoing brutal physical pain in the name of their art. The harsh realities of the ballet world that the young dancer must come to grips with are represented with exciting insight. I know, because my wife is an ex-ballerina – this film would bring back some horrible memories for her!

Whilst it’s set in New York, Aronofsky has kept the world focused and small so as to ensure the viewer is not allowed to wander too far from inside the head of the main character. This also allows him to successfully depict the sheltered nature of Nina’s life. The film is shot in a very raw hand-held style that also helps create a sense of instability and uncertainty.


I loved Aronofsky’s use of imagery that attempts to portray the darkness that pierces her flesh, showing a real understanding of the ‘piercing’ nature of darkness once you allow it to enter your reality.


The film has an intense impact on the audience, forcing viewers to ask "is this real?" - an interesting point that puts this film in the category of being
transformational entertainment. 

The Principality being developed

The Principality is a superrnatural action advenutre about a woman racing to save her friends against a malicious supernatural force. Seed funding has been secured for development of the film and further funding is currently being sourced.

Expressions of interest are also currently being sought for distribution.